MotherShip by Sam Wise ___ PLEASE REFRESH PAGE FOR WEB FONTS

Saturday, 14 March 2020

Fuck You 8

Die Krupps, 2018






The man with no conscience
Made a promise to his base
That dreams will come true for all collars of blue
A future he’s building on debts
Like his golden empire of excess

You claim to be our saviour
You’re a superstar of failure
You’re dangerously incompetent
The damage will be permanent

The man with no conscience
Wants to build a wall
Isolate and segregate
A wake-up call for all
Visions of swastikas in my head
You know what I’m getting at

You think you’re a master
You’re the king of disaster
There has been no precedent
The damage will be permanent

You claim to be our saviour
You’re a superstar of failure
You’re dangerously incompetent
The damage will be permanent

You think you’re a master
You’re the king of disaster
There has been no precedent
The damage will be permanent

Fuck You!




Friday, 13 March 2020

The Black Shield of Falworth

Directed by Rudolph Maté, 1954

Based on the novel by Howard Pyle


"Technicolor and tights. In the days of King Henry IV, stalwart young Myles of Crisby Dale, and his sister Meg, have been raised as peasants, without any knowledge of their father's true identity. They are sent Mackworth Castle by their foster father with a letter to Lord Mackworth, urging him to take in Myles and Meg as wards. There, Myles is smitten with Mackworth's daughter, Lady Anne, incurs the enmity of the chief knight-in-training, and is assigned by Lord Mackworth to train for knighthood, himself so that he may claim his birthright and assist Mackworth and the stalwart Prince Hal in defeating the evil Duke of Alban, who plots to usurp King Henry's throne." (Kathy Li, IMDb).








Bonus

The Purple Mask

Directed by H. Bruce Humberstone, 1955 

France, 1803: 11 years after the Revolution, a royalist underground is led by a new ‘Scarlet Pimpernel’, the Purple Mask, who rescues nobles in distress and kidnaps Napoleon’s officials for ransom, aided by the spy services of a group of lovely models headed by Laurette (really the Duc de Latour’s daughter). But even she doesn’t know the Purple Mask’s real identity as foppish dancing master Rene…


Sunday, 8 March 2020

Kill, Baby...Kill!


Directed by Mario Bava, 1966


A Carpathian village is haunted by the ghost of a murderous little girl named Melissa whose evil mother, Baroness Graps, had her killed and who has been murdering other people and getting off on demonic entities working through her. But whenever the ghost of the child is present somebody bleeds to death. Apparently, she is being used to exact revenge on the villagers. They know this but the doctor who's been sent for by Inspector Kruger to perform an autopsy takes some convincing. So, several deaths later, including that of Monica, a local nurse, he finally gets it! Meanwhile, Ruth, the village witch, attempts to protect the villagers the best she can, including the man she loves.


Giacomo Rossi Stuart as Dr. Paul Eswai, Erika Blanc as Monica Schuftan,  Fabienne Dali as Ruth, Piero Lulli as Inspector Kruger and Luciano Catenacci as Burgomeister Karl
















(The Olsen Twins)

Down, Out & Dangerous

Directed by Noel Nosseck, 1995

All it takes is one shitty neighbour...


Brad, a happily married business man, gives some money to a beggar to buy something to eat and is persuaded to take him home to help clear his garden up. His neighbour from hell, Calvin, has forced him to spend $6,000 demolishing the fence that is 56 inches over onto his land. The guy even cuts the branches of the tree that are hanging over his 56 inches of land. when Brad punches him a judge issues a restraining order. But this 'disturbed drifter' stirs up trouble by throwing pieces of fence onto the neighbour's land. Which results in his death - because he finished the guy off in secret. And then persuades Brad not to go to the police but make out he died at home - having carried the body into the guy's own kitchen.

Tim sets about blackmailing Brad, who believes that he was responsible for his neighbour's death. He's out to take everything he has, including his wife and house. He gets him fired but fails to break up their marriage. And kills two other people who get in the way. Brad's best friend is a journalist. He does some brave snooping around and, while he does not quite get to the police in time, at least they finally realise what's been going on and whom is behind these deaths: a ruthless stoke broker ho certainly did lose everything he had once he was convicted for the deaths of a man and wife. A psychotic killer who somehow evaded justice and became an anonymous beggar without a traceable identity.

A very intense, gripping drama that is only let down by two coincidences that simply wouldn't happen in real life. Still, it's only a story!

Starring Richard Thomas as Tim Willows and Bruce Davison as Brad Harrington









Monday, 2 March 2020

Never Let Go

Directed by John Guillermin (based on a story he wrote with Peter De Sarigny), 1960

A cosmetic salesman sets out to prove to himself and his wife that he is not a failure. He's fired and replaced by a younger, aggressive man. Then finds that he needs the new car he bought more than ever to help him get another job. Just one problem: it's been stolen by a local gang.


Richard Todd as John Cummings, Peter Sellers as Lionel Meadows, Elizabeth Sellars as Anne Cummings, Adam Faith as Tommy Towers, Carol White as Jackie and David Lodge as Cliff







"In London, crooked garage owner Lionel Meadows makes extra cash by selling stolen cars. He uses the services of a crew of chop-shop mechanics and relies on teenage hoodlums to steal the cars. Cosmetics salesman John Cummings is struggling to meet his monthly sales targets in order to keep his job. He recently purchased a 1959 Ford Anglia to help him deliver cosmetics samples to department stores. His car is essential to his job. However, young petty thief Tommy Towers steals John's car while it's parked on the street where John works. He delivers the stolen car to Meadows' chop-shop. John reports the theft to the police but the police is slow acting. With pressures at home and at work, John is desperate to recover his stolen vehicle. The police inspector keeps telling him to be patient as most stolen cars are recovered eventually. However, John becomes more and more desperate and impatient to re-claim his car. Against the advice of the police, he sets-out to investigate the matter..." (IMDb).